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Disney and the Theming of the Contemporary Zoo: Kingdoms of Artifice

The opening of Disney’s Animal Kingdom (1998) introduced the design principles of the theme park to the display of wildlife. In the decades since, zoo designers the world over have adapted Disney’s approach in theming both the visitor and the animal experience.With Kingdoms of Artifice we critically examine how post-Disney zoo environments combine entertainment with education and complexify authenticity with theatricality.

About the Authors

Benjamin George

Dr. George is an associate professor in the Department of Landscape Architecture and Environmental Planning at Utah State University, where he teaches courses in landscape architecture. George's research interests include the impact of technology on design processes, zoo design, online design pedagogy, and landscape history. He is the creator of the award-winning Digital Library of Landscape Architecture History.

Dave Gottwald

Currently an associate professor in the Art and Design Department of the College of Art & Architecture at the University of Idaho, Gottwald teaches UI/UX for mobile, experiential design for the built environment, exhibit design, typography, digital imaging, and design history. His research explores the theming of consumer spaces, the genealogy and taxonomy of thematic design, and the liminal blur between the built environment and the virtual.